Olympus OM-D E-M5 Mark III with 14-150mm (Silver) (Refurbished)
SKU
REF-OLY-V207091SU000-5356
Model
V207091SU000
Model
V207091SU000
USD $824.00
20 megapixels, 30fps burst shooting, 121 autofocus points, in-body image stabilization, weather sealed design, Wi-Fi enabled
- 20MP Live MOS Sensor
- Portable, weathersealed design
- TruePic™ VIII Image Processor
- Compact, In-Body 5-Axis Image Stabilization (up to approx. 5.5 EV steps of compensation)
- 121-Point All-Cross-Type On-Chip Phase Detection AF
- 10fps high-speed sequential shooting with AF/AE Tracking
- 30fps maximum sequential shooting speed with focus and exposure locked
- Six AF Target Options: Single, Group 5-point, Group 9-point, Group 25-point, 121-point & Small
- 4K Video supports C4K and 4K 30p video recording
- 2.36 Million dot OLED Viewfinder (image magnification of 0.67X with long eye point for easy viewing even with glasses)
- Custom Mode for easy access to preferred settings
- 50MP Tripod High-Res Shot
- Pro Capture
- Focus Bracketing & Focus Stacking
- Wi-Fi Compatible with Bluetooth® Version 4.2 BLE
- Dust Reduction System with Super Sonic Wave Filter
- USB Charging
- Anti-Flicker Shooting
EXPLORE THE WORLD WITHOUT LIMITS
Seeking adventure is in your DNA. You’re passionate about photographing all the far-flung places you visit. The E-M5 Mark III is just what you’re looking for. It’s compact, lightweight and comfortable — made for roaming the biggest cities, the smallest villages or the most remote destinations on earth. You’ll feel exhilarated instead of exhausted from carrying heavy gear. And then there’s the stunning stills and video. Thanks to an impressive range of pro technology, you’ll come home with images you’ll want to see over and over again. The E-M5 Mark III. All you need in one astoundingly portable system.
COMPACT. LIGHTWEIGHT. EXHILARATING.
Roam the planet with a camera system that never gets in the way and frees you up to enjoy every moment of every adventure.
WORLD-LEADING PORTABILITY
The E-M5 Mark III is part of the world’s most portable camera system. Carry less. Shoot more. It’s that simple.
IMAGE QUALITY
The advanced 20MP Live MOS Sensor, TruePic™ VIII image processor and world-class M.Zuiko lenses work together to produce distortion-free images with edge-to-edge sharpness.
WEATHERSEALED CONSTRUCTION
When your camera is splashproof, dustproof and freezeproof, you can stop worrying about the weather and focus on shooting.
AUTOFOCUSING THAT’S AS FAST AS IT IS ACCURATE
Capturing the most challenging shots is a lot easier when you’re shooting with our proven autofocus technology.
121-POINT ALL-CROSS TYPE ON-CHIP PHASE DETECTION AF
The same autofocus system used by pros has all the speed and precision you need to track and capture challenging, fast-moving subjects.
PRO CAPTURE
Capturing action that barely lasts a fraction of a second is nearly impossible. Pro Capture Mode makes the impossible possible.
30FPS SEQUENTIAL SHOOTING
Fire off a burst of 20MP images at 30fps to effortlessly keep up with and capture any fast-moving action.
SHOOT TRIPOD-FREE WITH IMAGE STABILIZATION
More mobility. Less gear. Greater freedom. Just some of the benefits of shooting with our powerful image stabilization system.
5-AXIS IMAGE STABILIZATION
Camera shake equals blurry images. Our powerful 5-Axis in-body Image Stabilization system compensates for all types of camera movement giving you crisp, clear images and video.
5-AXIS SYNC IS
Pair the E-M5 Mark III with one of our stabilized M.Zuiko PRO lenses for one of the world’s most powerful image stabilization systems.
HANDHELD VIDEO
With 5-Axis in-body Image Stabilization you have more mobility and freedom than ever to capture smooth, stable 4K video.
PRO TECHNOLOGY AT YOUR FINGERTIPS
The E-M5 Mark III features advanced technology to ensure your photos and video are bright, sharp and exquisitely detailed.
50MP HIGH RESOLUTION SHOT
Take a 50MP ultra high-resolution image where every detail is exquisitely captured. Perfect for shooting landscapes.
LIVE COMPOSITE
Get long exposure photography right. Live Composite Mode (along with Live Bulb and Live Time) can help you capture difficult nighttime shots brilliantly.
BUILT-IN WI-FI
Wirelessly connect the camera to your smart device via Wi-Fi or Bluetooth for easy sharing on-the-go.
BUILT TO BE CUSTOMIZED
We built it, but make it yours. Customize a favorite setting or create a system of lenses and accessories based on your photography interests.
CUSTOM MODE
Save and instantly access your favorite shooting setting using the Custom Mode on the main dial.
22 SCENE MODES
Sometimes you want the camera to do the work. Choose from 22 Scene Modes to make it easy to capture beautiful photos no matter what scene you’re shooting.
SYSTEM ACCESSORIES
The E-M5 Mark III is at the center of an expansive system of lenses and accessories. Choose the ones you need based on your photography interests.
| Sensor / Dust Reduction | |
| Sensor Type | 4/3" Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
| Processor | |
| Processor Type | TruePic™ VIII |
| Focusing System | |
| AF System Type |
High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination. When a Micro Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled. |
| Focusing Points / Focusing Points Selection Mode |
121-point cross-type phase detection AF and 121-point contrast AF All target, single target (normal / small), group target (5-area / 9-area / 25-area) |
| Focus Modes |
Single AF (S-AF) Continuous AF (C-AF) Manual Focus (MF) S-AF + MF AF tracking (C-AF + TR) Preset MF * * Distance setting values are rough estimates and not compatible lens except the AF lens. |
| AF Limiter |
Available (Fn button can be assigned to On/Off; can save 3 distance settings) *Distance setting values are rough estimates. |
| AF Performance | C-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start |
| Magnified Frame |
3x , 5x , 7x , 10x , 14x * Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800. |
| Super spot AF |
Available*(Contrast AF in center of the monitor when magnified) *Available only when a Micro Four Thirds lens is attached. |
| Face Detection AF / Eye Detection |
Available Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority |
| AF Targeting Pad | Available (activate / deactivate with double tap on rear monitor) |
| Manual Focus Assist | Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode |
| Peaking Function |
Activate with to be assigned to the button or focus ring Change peaking settings using the ""Info"" button Color selection: white, black, red, yellow Intensity selection: high, normal, low Back light effect: on, off |
| AF Focus Adj. |
Adjust all, adjust by lens (for Phase detection AF only) |
| AF Illuminator | Available |
| Image Stabilization | |
| System Type |
Built-in 5-axis* sensor-shift image stabilization for movie and still photos *yaw/pitch/roll/vertical shift/horizontal shift |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting |
| 5-Axis Sync IS |
Available* *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance |
5.5 EV[*] * Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-40mm F2.8 PRO (focal length =40mm (35mm equivalent: 80mm)) 6.5 EV[*] * Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-100mm F4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), halfway release image stabilization Off |
| Lens IS Priority | Available |
| Shutter / Sequential Shooting | |
| Shutter Type |
Focal-plane shutter : 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1) Live Bulb / Live Time: selectable exposure time (1 / 2 / 4 / 8 / 15 / 20 / 25 / 30 min.), with 8-min. default setting. Live Composite: maximum shooting time 3 hours Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec. Electronic shutter (Silent mode) : 1/32000 - 60 sec. (still) Flicker scan: 1/7634 - 1/50.0 sec. (movie) Flicker scan: 1/250 - 1/30.0[*] sec. *50fps movie: 1/50.0 sec., 60fps movie: 1/60.0sec., High speed video: 1/120.0sec. |
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps [Pro Capture L] approx. 10 fps *When using the M.ZUIKO Digital ED 12-40mm F2.8 PRO *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting. *When in Pro Capture mode, slower shutter speeds and flash cannot be used. *Pro Capture L is available when an M.ZUIKO lens or lens without communication capability is attached. (Auto-focus is not available for lenses without communication capability). *In Pro Capture Sequential L, the minimum aperture is F8. *When ISO is 8000 or above, the maximum sequential shooting speed is 30 fps, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above. *Focus and exposure are fixed at the values of the first shot when using sequential shooting |
| Max. Recordable Pictures in Sequential Shooting |
[Sequential shooting H 10fps] RAW: Max. 150 frames, JPEG (LF): Until card is full [Sequential shooting L 6fps] RAW, JPEG (LF): Until card is full [Silent sequential shooting H 30fps] RAW: Max. 23 frames, JPEG (LF): Max. 26 frames [Silent sequential shooting L 10fps] RAW: Max. 152 frames, JPEG (LF): Until card is full *When using the M.ZUIKO Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G memory card |
| Sequential Shooting Frame Count | 1 - 99 frames |
|
Pre-shutter Frames *For Pro Capture mode only |
Number of frames recorded prior to full-press of the shutter button can be set from 0 to 14 frames |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
| Viewfinder / Monitor | |
| Finder Type | Eye-level electronic viewfinder (OLED), approx. 2.36M dots |
| Field of View / Viewfinder Magnification |
Approx. 100% / Approx. 1.20x[*1] - 1.37x[*2] (-1m-1, 50mm lens, Infinity) * 1: Finder Style 1, 2 (aspect ratio 4:3) * 2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Preview | Live View preview with depth of field preview lock |
| Display Grid |
Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid * grid color is selectable |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| One Touch Tele-Converter | Available (2x) |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control |
| Rear Monitor Size |
3.0-inch vari-angle monitor[*] * Approx. 1.04M dots (3:2), electrostatic capacitance touch panel |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls |
| Tilting Capability | Available (mirror display when monitor is in self portrait position) |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
| Color Tone Select | Vivid / Natural |
| Live View | Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14) |
| Live View Boost |
Live View Boost 1 , Live View Boost 2* (For dark situations) *Settings can be specified for each shooting mode *Live View Boost 2: Frame Rate Priority or Quality Priority selectable *Off: Brightness in Live View shows specified exposure settings. |
| Exposure Control / Flash | |
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering |
| Metering Range | EV -2 - 20 (ISO approx.100, with a F2.8 lens) |
| Exposure Mode / Shooting Mode |
AUTO Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom * Scene select AE Art Filter Underwater wide / macro** **to be assigned to custom button *Custom settings from menu" |
| Scene Select AE |
[Scene] Portrait, e-Portrait, Landscape + Portrait, Night + Portrait, Children, Night scape, Sport, Hand-held Starlight[2], Fireworks, Light trails, Sports, Panning, Landscape, Sunset, Beach & Snow, Backlight HDR[1], Candlelight, Silent, Macro, Nature Macro, Documents, Multi Focus Shot *1 4 images automatically shot and combined into a single image composite *2 8 images automatically shot and combined into a single image composite |
| ISO Sensitivity |
AUTO ISO (default): LOW (approx.64) - 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps) |
| Exposure Compensation |
±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps |
| AE Lock | Locks with a half-press of the shutter button (can be set to AEL/AFL button as well) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode |
TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL) * Available with external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64) |
| Synchronization Speed |
1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable |
| Compatible External Flash | FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8, FL-700WR |
| External Flash Intensity Type | TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
| Memory / Image Recording (File Format) | |
| Compatible Memory |
SD, SDHC*1, SDXC*1 *1 UHS-I, UHS-II compatible |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size |
[RAW] 5184 x 3888 pixels |
| White Balance / Color Mode | |
| White Balance Mode | Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis |
| Preset White Balance |
7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K) |
| CWB (Kelvin Setting) | 2000 - 14000K |
| Capture White Balance | 4 custom settings can be registered |
| Color Mode | sRGB, Adobe RGB |
| Bracketing / HDR | |
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis. |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable |
| Focus Bracketing | 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses) |
| Focus Stacking Mode |
8 shots are taken at different focus points and automatically composited together into a single image Angle of view becomes slightly smaller Compatible with: M.ZUIKO Digital ED 60mm F2.8 Macro M.ZUIKO Digital ED 12-40mm F2.8 PRO M.ZUIKO Digital ED 40-150mm F2.8 PRO M.ZUIKO Digital ED 30mm F3.5 Macro M.ZUIKO Digital ED 7-14mm F2.8 PRO M.ZUIKO Digital ED 8mm F1.8 Fisheye PRO M.ZUIKO Digital ED 300mm F4.0 IS PRO M.ZUIKO Digital ED 12-100mm F4.0 IS PRO |
| HDR (Auto Composite) |
HDR1, HDR2 (painting-like) ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. Exposure compensation can be performed. |
| Bracketing for HDR post-process |
HDR1, HDR2 (painting-like) ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. Exposure compensation can be performed. |
| Creative Features | |
| Picture Mode | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator] |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, midtone |
|
Art Filter (Variation / Art Effect) |
Pop Art (I, II / a.b.c.d.e.f) Soft Focus ( - / c.e) Pale & Light Color (I, II / a.b.c.d.f) Light Tone ( - / d.f) Grainy Film (I, II / b.c.d.g.h) Pin Hole (I, II, III / d) Diorama (I,II / d) Cross Process (I, II / b.c.d.f) Gentle Sepia ( - / a.b.c.d.f.) Dramatic Tone (I / b.c.d.e.f) (II / b.c.d.e.f.g.h) Key Line (I, II / a.b.c.d.e.) Watercolor (I, II / a.b.c.d.) Vintage (I, II, III / a.b.c.d.e.f.i) Partial Color (I, II, III / a.b.c.d.e.f) Bleach Bypass (I, II / a.b.c.d.e.f.i) Instant Film (- / a.b.c.d.e.f.i) |
| Art Effect |
a. Soft Focus Effect b. Pin-Hole Effect c. White Edge Effect d. Frame Effect e. Star Light Effect f. Blur Effect (Top & bottom, Left & Right) g. B&W Effect (None, Yellow, Orange, Red, Green) h. Picture Tone (None, Sepia, Blue, Purple, Green) i. Shade Effect (Top & bottom, Left & Right) |
| Color Ring (for partial color) | 18 color selectable |
| Color Creator | Color pattern : 30 colors / Saturation setting -4 ~ +3 |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization) |
| Interval Shooting |
Interval Time 1 sec. - 24 Hours, Max 999 frames. Sutomatic creation of time-lapse movies possible |
| Multiple Exposure (number of pictures / function) | 2 frames / Auto gain, exposure on recorded picture (RAW) |
| Fisheye Compensation | Available (angle : 1-3) |
| High Res Shot |
Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift) Available in P/A/S/M mode, RAW+JPEG or JPEG. JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776 RAW data can be developed in-camera. Olympus Workspace required to develop on a PC. |
| Keystone Compensation |
Available (can be confirmed in Live View) *Horizontal and vertical compensation can be performed simultaneously. |
| Video / Audio Recording | |
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method |
4096×2160(C4K) / 24p / IPB(approx.237Mbps) 3840×2160(4K) / 30p, 25p, 24p / IPB(approx.102Mbps) 1920x1080(FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB(SF, F, N) 1920x1080(FHD) / 60p, 50p / IPB(SF, F, N) 1280x720(HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I) , IPB(SF ,F ,N) 60p: 59.94 fps 50p: 50.00 fps 30p: 29.97 fps 25p: 25.00 fps 24p: 23.98 fps C4K 24.00 fps FHD ALL-I(A-I : ALL-Intra/approx.202Mbps) FHD IPB(SF : SuperFine / approx.52Mbps, F : Fine / approx.30Mbps, N : Normal / approx.18Mbps) HD ALL-I(A-I : ALL-Intra / approx.102Mbps) HD IPB(SF : SuperFine /approx.26Mbps, F : Fine / approx.14Mbps, N : Normal / approx.10Mbps) *Frame rates may drop when particular Art Filters and Movie Effects are used. *Class 10 or higher SD card is recommended for shooting movies. *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting. |
| Maximum Video Recording Time | Approx. 29min |
| Movie Tele-converter | Approx. 3x (enlarges view of selected area) |
| Art Filter Movie |
Available (Frame rates may drop when certain Art Filters are used) |
| Movie Effect | One-shot Echo / Multi-echo / Art Fade / Old Film |
| Time-lapse Movie |
[AVI ] 3840×2160(4K)/ 5fps 1920×1080(FHD)/ 5fps,10fps,15fps 1280×720(HD)/ 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | With (Both or either of the two may not be available depending on the frame rates. |
| High speed movie | 120fps (1920×1080/MOV) |
| Image Stabilization for Movie |
M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS), M-IS2(Image sensor shift with multi motion IS), Off *While using M-IS1, field of view may be affected. |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI |
Monitor Mode (outputs video and info display to a connected monitor) *1 Record Mode (outputs video only, with no info display) *2 *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two. While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged). However, the image can not be enlarged on the camera when a movie is being recorded. *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded. |
| Movie Picture Mode | Flat (LUT file available for download from website) |
| Audio Recording Format |
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High quality sound recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz) |
| Microphone / Speaker |
Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function |
Wind noise reduction, recording volume, microphone volume limiter Audio dubbing possible for still pictures (up to 30 sec.) *May affect audio quality. |
| IC Recorder Linkage |
Slate Tone / Synchronized Audio Rec-Movie Rec *LS-100 compatible |
| Operability | |
| Wireless Shooting |
Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off *P / A / S / M / B and drive mode can be selected. Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted. |
| Image Share |
File Type: JPEG*, MOV Marking function for image share. |
| Easy Connection |
Connect using a QR code Connect using Bluetooth (View, Transfer only. Enabled from the second time) |
| Playback Mode |
Single-frame Information display Index display (4/9/25/100 frames), Calendar Enlargement (1:1, 2x - 14x) Movie (with sound, FF/REW/Pause) Picture rotation (auto) Light box display |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Custom | |
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set |
Modes C2, and C3 can be accessed via the menu * Some items including shooting mode may not be called up |
| Dial customization | Dial function and dial direction are customizable for both dials |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization |
Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Copyright Settings/Lens info Settings | Available (save up to 10 lenses) |
| Menu Languages (34 selectable) | English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai |
| Connectivity / Power Requirements | |
| USB Connector | USB Micro-B |
| Remote Connector | f2.5Pin Jack (when using separately available RM-CB2). |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11a/b/g/n) |
| Bluetooth | Built-in (Bluetooth® Ver.4.2 BLE) |
| MIC Input Jack | f3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB 2.0 Hi-Speed |
| Battery | BLS-50 Li-ion battery (included) |
| Battery Status Display | Remaining power (4 steps, %, or by-minute display), shot count, degradation |
| USB Charging |
Built-in battery is charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | Available (1/3/5 min. off) |
| Number of Recordable Pictures | Approx. 310 shots (using Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards) |
| Battery Life for Movie Recording |
Approx. 60 minutes (under standard JEITA testing) Approx. 110 minutes (when zoom and other operational functions are not used) *When repeatedly recording at the maximum time of 29 minutes |
| Weights & Dimensions / Operating Environment / Box Contents | |
| Weight |
Approx. 414g (with battery and memory card, based on CIPA standards) Approx. 366g (body only) |
| Dimensions |
W:125.3mm H:85.2mm D:49.7mm (based on CIPA standards: excludes protrusions) |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
| Box Contents | Body, USB cable, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLS-50 Li-ion battery, BLS-5 rapid Li-ion battery charger |
- Olympus OM-D E-M5 Mark III body
- Micro USB Cable
- Shoulder Strap
- FL-LM3 Flash
- BLS-50 Li-Ion Battery
- BCS-5 Li-Ion Battery Charger
- Instruction Manual
- M.Zuiko Digital ED 14-150mm F4.0-5.6 II Lens
- Lens Hood LH-61C
- Lens Cap LC-58F
- Rear Lens Cap LR-2
- Warranty Card
California Residents: WARNING: Cancer and reproductive harm - See www.P65Warnings.ca.gov for more information.
Due to restrictions imposed on us by federal regulations, lithium-ion batteries cannot be shipped internationally. Products pictured with lithium-ion batteries will not include them for shipments outside the US. International customers will need to source appropriate batteries from their local market.
Review our complete shipping terms here
Review our complete shipping terms here